Ma rainey black bottom summary
What begins as a routine recording session becomes more strained as tensions rise between the members of a blues band and the owners of the recording studio. The white producers mean to exploit the talents of the band-especially the gifted and impulsive Levee-but when Ma insists on having things her way, tensions are enflamed and the play builds to an unexpected and searing climax. Writers Theatre Seating Charts. Chicago Tribune - Recommended. Smith who plays Slow Drag and Alfred H.
August Wilson and 'Ma Rainey's Black Bottom' : NPR
He wants nothing to do with talking with the black people in the studio, and leaves Irvin to take car of that. Aftewards, the band sets up for rehearsal. Levee is late because he is buying new shoes. They start rehearsing, but are regularly interrupted by arguments between Levee and Toledo, who reads books and has a lot to say about race relations and black entertainment and advancement. In the meantime, Ma Rainey has still not shown up, and Irvin is nervous about it. Just as Sturdyvant is getting angry, Ma Rainey, her girlfriend Dussie Mae, and her nephew Sylvester walk into the recording studio, escorted by a policeman. Irvin tells Ma he will handle it, and he slips the police officer some money for him to forget about taking her to the precinct.
August Wilson and 'Ma Rainey's Black Bottom'
August Wilson's Ma Rainey's Black Bottom , his first play in a ten-play cycle, each chronicling a decade in the African-American experience, was first performed at the Yale Repertory Theater in , though Wilson began writing the play in , after listening to the blues for more than a decade. Set in a Chicago recording studio in , the two-act drama tells the story of a recording session with blues legend Ma Rainey, her band members, and the white producer and agent who made themselves wealthy through Rainey's recordings. The play explores race relations between blacks and whites in s America and the African-American search for identity. The title comes from the song of the same name, which is at the heart of a major conflict in the play.
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